Terms and text shown below represent Siaoning’s contributions to TermWiki.com, a free terminology website and knowledge resource for the translation community.
A longing for things no longer present, coined in the seventeenth century originally to mean homesick, from greek terms nostos, or homecoming and algos, or distress.
對事情不再存在,在十七世紀鑄造最初是說想家,從希臘條款葛仙,或返校和演或窘迫的渴望。
Several liqueurs combined and poured over shaved or crushed ice.
幾個甜酒組合和潑剃光或碎冰。
Usually translated as New Objectivity. German modern realist movement of the 1920s, taking its name from the exhibition Neue Sachlichkeit held in Mannheim in 1923. Part of the phenomenon of the return to order following the First World War. Described by the ...
通常被譯為新的客觀性。1920 年代的德國現代現實主義運動,採取它的名字從新 Sachlichkeit 展覽于 1923 年在曼海姆舉行。第一次世界大戰後的順序返回的現象的一部分。描述由的展覽中,GF Hartlaub,主辦機構為 '新現實主義的軸承一個社會主義的味道'。奧多迪克斯和喬治波蘭錢幣,二十世紀最偉大的現實主義畫家的兩個新的 Sachlichkeit 與相關聯的兩個關鍵演出者。他們的繪畫和繪圖中生動地描述和痛斥腐敗、 瘋狂享樂和德國在戰爭和無能魏瑪共和國治理直到 1933 年納粹党的權力在抵達後的一般打擊 ...
The French system of appellations, begun in the 1930s and considered the wine world's prototype. To carry an appellation in this system, a wine must follow rules describing the area the grapes are grown in, the varieties used, the ripeness, the alcoholic ...
法國的制度的稱謂,在 20 世紀 30 年代開始,認為葡萄酒世界原型。要在此系統中攜帶稱謂,酒必須遵循規則描述該地區葡萄種植的品種使用,成熟度、 酒精濃度、 葡萄園產量和種植葡萄、 釀制葡萄酒中使用的方法。 ...
French movement (meaning new realism) founded in 1960 by the critic Pierre Restany. It was the focus for developments which can be seen as the European counterpart to Pop art. As well as painting, Nouveau Réalistes made extensive use of collage and ...
法國運動 (含義新現實主義) 成立于 1960 年由評論家皮埃爾 · Restany。它是這可以被看作是波普藝術的歐洲對應的事態發展的重點。以及繪畫、 Nouveau Réalistes 作廣泛使用拼貼畫和裝配、 使用真實物件直接納入工作和承認,債務與馬塞爾 · 杜尚的 readymades。在這方面領先指數是阿爾曼、 塞薩爾、 克裡斯、 Tinguely 和丹尼爾 · 波里。鐘泰 Hains、 Mimmo 羅特、 雅克 · 馬埃 de la Villeglé 和狼 Vostell 開發了 décollage,或撕 ...
Historically, drawings have been made by applying ink with a quill pen made by cutting the hollow stem of a large feather, from a bird such as a goose or a swan, to create a nib. Hollow reeds were also cut in the same way and used for writing and drawing. ...
歷史上,已作出申請作出的切割的大羽毛,空心莖如鵝或一隻天鵝,一隻鳥從創建筆尖一根羽毛筆墨蹟繪圖。空心蘆葦也被剪切方式相同,用於書寫和繪圖。金屬筆成功在十九世紀的那支筆。鋼筆和墨水常用的結合其他技術如洗。(請參閱油墨)。 ...
On of the various materials used and creative methods involved in artistic production, media being the plural form (though this latter term is often used more specifically of the various forms in which news is conveyed). In the visual arts, the artist must ...
On of the various materials used and creative methods involved in artistic production, media being the plural form (though this latter term is often used more specifically of the various forms in which news is conveyed). In the visual arts, the artist must ...
This term seems to have come into use in the 1940s to describe the artists of the intensely creative and innovative New York art scene that was giving birth to the radical and world conquering new style of painting that in the early 1950s became known as ...
這個詞似乎進入了 20 世紀 40 年代以描述的激烈創造性和創新性紐約藝術現場,正在生基和世界征服新的繪畫,在 1950 年代初成為了著名的抽象表現主義風格的演出者使用。這兩個術語是有效地互換,這就是紐約學校的演出者是抽象表現主義。紐約學校有學校的巴黎的回聲,也可能會看到以反映這一概念在第二次世界大戰後紐約從接管了巴黎作為世界中心的現代藝術的創新。 ...
An area of thick paint, or texture, in a painting. First noticeable in Venetian Renaissance painters Titian and Tintoretto, then in Baroque painting, for example Rubens. Increasingly notable in nineteenth-century landscape, Naturalist and Romantic painting. ...
厚漆、 或紋理,在繪畫中的一個區域。第一次明顯在威尼斯文藝復興時期的畫家提香和丁托列托、 然後在巴羅克繪畫,例如魯本斯。在十九世紀景觀、 博物學家和浪漫繪畫的日益顯著。使用的 impasto 成為了現代藝術中,認為抓住了表面的一幅畫應該有它自己的現實而不是只是更多或更少強制性正在順利進入超越幻象世界視窗。與此去的想法油漆的紋理和形狀的 brushmark 可以自己説明傳達的感覺,他們是一種手寫的他們可以直接表達了演出者的情感還是主題的回應。(請參閱手勢。一幅畫中的 impasto 是一個突出的特點也可以說是繪畫效果 ...
An Italian walnut-flavored liqueur.
義大利核桃味利口酒。