Terms and text shown below represent Siaoning’s contributions to TermWiki.com, a free terminology website and knowledge resource for the translation community.
As applied to the human figure in artworks, their posture or manner of bodily expression; as applied to artistic practices, the sense of an artist’s manner of wielding tools, as in the gesture suggested by a brush or chisel stroke.
適用于在藝術品、 他們的姿勢或身體表達 ; 方式的人類圖適用于藝術實踐的一位演出者的方式的揮舞著工具,建議由畫筆或鑿子筆劃的姿態與感覺。
Rigid support for painting on, traditionally made of joined planks of wood, but more recently boards and composites.
剛性支援上,繪畫傳統上由聯接厚木板,但更多最近的主機板和複合材料。
The introduction of video in the 1960s radically altered the progress of art. The most important aspect of video was that it was cheap and easy to make, enabling artists to record and document their performances easily. This put less pressure on where their ...
在 1960 年代的視頻介紹從根本上改變了藝術的進展情況。視頻的最重要的方面是它是廉價和容易使,使演出者來記錄和記錄他們的表演很容易。這對他們的藝術所在的壓力少給他們在畫廊外的自由。早期的視頻藝術先驅之一是布魯斯瑙曼用視頻來揭示隱藏的演出者的創作流程通過拍攝自己在他的工作室。當視頻技術變得更複雜,藝術演變從即時、 粒狀、 黑色和白色的錄音對目前天強調的膚色在大型裝置上。比爾中提琴多遮罩的工程是戲劇,往往有說明 ;和吉莉安 · 服裝使用新聞紀錄片的風格,使關於社會的隱藏方面的藝術。 ...
Term applied to art in which the process of its making is not hidden but remains a prominent aspect of the completed work so that a part or even the whole of its subject is the making of the work. Process became a widespread preoccupation of artists in the ...
應用於藝術,其製作的過程不隱藏,但仍然是一個突出的方面,已完成的工作,甚至它的主題整個或部分工作的製作術語。進程成為了演出者在 1960 年代末和七十年代,是普遍關注,但像其他許多事情一樣可以跟蹤回傑克遜 · 波洛克的抽象表現主義繪畫。滴及傾吐漆的連續的圖層可以確定在這些和行動的演出者在使工作可以在某種程度上被重建。最新彩色場繪畫的莫里斯 · 路易明確揭示他傾吐在畫布上的漆的過程。在進程的藝術也有強調開展由演出者所確定的進程的特定材料的研究成果。再次,在路易士的形式是相互作用的演出者的行動、 類型和油漆、 ...
Refers to a work of art designed specifically for a particular location and that has an interrelationship with the location. If removed from the location it would lose all or a substantial part of its meaning. Site-specific is often used of installation ...
指的是專門為某一特定位置設計藝術作品並具有與位置的相互關係。如果從該位置刪除就會失去全部或實質部分的它的意思。特定于網站經常的安裝工程,如網站特定的安裝、 使用和土地藝術是幾乎由定義特定于網站。 ...
Art produced in response to the aftermath of colonial rule, frequently addressing issues of national and cultural identity, race and ethnicity. Frantz Fanon provided a theoretical framework for interpreting the oppression of the individual under imperialism—a ...
藝術生產在回應的殖民地統治,之後經常處理的民族與文化認同、 種族和族裔問題。弗朗茨原著提供一個理論框架來解釋下帝國主義個人的壓迫 — — 多後殖民藝術的一個重要內容 — — 和發起調查的多樣性和開展的作家如愛德華說、 斯圖爾特大廳和霍米 · 巴巴的後殖民文化中的層次結構。 ...
Informal group portrait, usually small in scale, showing people, often families, sometimes groups of friends, in domestic interior or garden settings. Sitters are shown interacting with each other or with pets, taking tea, playing games. Contrast with court ...
非正式小組畫像,通常很小的規模,在國內室內或花園設置顯示人,往往是家庭,有時團體的朋友。保姆顯示交互與對方或寵物,喝杯茶,玩遊戲。與法院或盛大樣式肖像相反。看來已十八世紀初要滿足的需求從新的中產階層,雖然也得到了貴族和皇家贊助人。大概介紹了在英國的塞爾約 1725年、 通俗化的霍加斯,然後德維斯和變得非常時髦與佐法尼。 ...
An area of thick paint, or texture, in a painting. First noticeable in Venetian Renaissance painters Titian and Tintoretto, then in Baroque painting, for example Rubens. Increasingly notable in nineteenth-century landscape, Naturalist and Romantic painting. ...
厚漆、 或紋理,在繪畫中的一個區域。第一次明顯在威尼斯文藝復興時期的畫家提香和丁托列托、 然後在巴羅克繪畫,例如魯本斯。在十九世紀景觀、 博物學家和浪漫繪畫的日益顯著。使用的 impasto 成為了現代藝術中,認為抓住了表面的一幅畫應該有它自己的現實而不是只是更多或更少強制性正在順利進入超越幻象世界視窗。與此去的想法油漆的紋理和形狀的 brushmark 可以自己説明傳達的感覺,他們是一種手寫的他們可以直接表達了演出者的情感還是主題的回應。(請參閱手勢。一幅畫中的 impasto 是一個突出的特點也可以說是繪畫效果 ...
Sometimes used to refer to figurative language in general, metaphor specifically is a figure of speech in which a term or name is transferred to something to which it is not strictly applicable. It literally means to transfer. Hence, for example, “the ...
有時用來指比喻語言一般,隱喻具體來說是一種修辭術語或名稱轉移到這並不是嚴格適用的東西。它字面意思來傳輸。因此,例如,"盛開女傭"轉讓鮮花進入美容到一個年輕女人的想法。這是分明的從一個明喻,比較而言,或像處於這一短語,如"像一朵花盛開女傭"。 ...
Art in which the medium is the artist's own body and the artwork takes the form of actions performed by the artist. Performance art has origins in Futurism and Dada, but became a major phenomenon in the 1960s and 1970s and can be seen as a branch of ...
Art in which the medium is the artist's own body and the artwork takes the form of actions performed by the artist. Performance art has origins in Futurism and Dada, but became a major phenomenon in the 1960s and 1970s and can be seen as a branch of ...