Siaoning
Taipei, Taiwan
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Siaoning’s Selected Translation Work
Terms and text shown below represent Siaoning’s contributions to TermWiki.com, a free terminology website and knowledge resource for the translation community.
Metaphysical art
Italian art movement, Pittura Metafisica. Created by Giorgio de Chirico and the former Futurist, Carlo Carra, in the north Italian city of Ferrara. Using a realist style, they painted dream-like views of the arcaded squares typical of such Italian cities. The ...
形而上藝術
義大利藝術運動，Pittura Metafisica。由喬治 · 德基和前的未來學家，卡羅香港東亞銀行在費拉拉北義大利城市創建。他們使用的寫實風格，畫夢幻般意見柱廊的正方形的這種義大利城市的典型。正方形是反常為空，並在他們的物件和雕像都彙集在奇怪一絲一毫。演出者因而創造一個有遠見的世界的心靈超越物理現實，因此該名稱。嚴格地說，運動只持續了六個月左右的德基和香港東亞銀行一起，德基改變他的風格下一年的 1917 年。然而一詞通常被應用於所有德基工作從約 1911 年當他第一次開發後來被稱為 Pittura ...
entropy
Entropy is the inevitable and steady deterioration of a system or society. The concept is articulated by the Second Law of Thermodynamics (the tendency for all matter and energy in the universe to evolve towards a state of inert uniformity). In an art context ...
熵
熵是系統或社會不可避免的和穩定的惡化。這一概念被闡述的第二個熱力學定律 (傾向為所有物質和能量在宇宙中的進化朝著一種惰性均勻的狀態)。在藝術方面一詞變得普遍在晚 20 世紀 60 年代紐約演出者羅伯特 · 史密森使用期限熵指他同時代的人，極簡主義演出者 Donald Judd、 溶膠 Le · 威特、 丹黃素和拉裡 · 貝爾，其高度簡化的和靜態的工作，他認為體現了概念時。 ...
neo-plasticism
Term adopted by the Dutch pioneer of abstract art, Mondrian, for his own type of abstract painting. From Dutch de nieuwe beelding. Basically means new art (painting and sculpture are plastic arts). Also applied to the work of De Stijl circle of artists, at ...
新造形主義
通過抽象藝術，蒙德里安，為他自己類型的抽象繪畫的荷蘭先驅的術語。從荷蘭 de nieuwe beelding。基本上意味著新藝術 (繪畫和雕塑是造型藝術)。也適用于工作的德風格圈子的演出者，至少到蒙德里安的分裂國家從組于 1923 年。第十一期日刊 》 在德風格蒙德里安出版他長的雜文 '在繪畫藝術中的近地物體 Plasticism' 之間其他許多事情一樣，他寫道：' 作為人類心靈的純淨表示形式，藝術會表達，也就是說，抽象形式的本身在審美淨化 ' 新塑膠想法因此，不能採取的自然或具體的形式 — — 這個新的塑膠想法將 ...
tone
In painting, tone refers to the relative lightness or darkness of a colour (see also Chiaroscuro). One colour can have an almost infinite number of different tones. Tone can also mean the colour itself. For example, when Van Gogh writes 'I exaggerate the ...
色調; 光度
在繪畫，口氣是指的相對亮度或暗度的一種顏色 (也參見明暗對比)。一種顏色可以有不同的口氣幾乎無限數量。口氣也可以意味著顏色本身。例如，當梵古寫 '誇大了公平性的頭髮，連到橙色口氣、 六價鉻和淡香木緣黃色'，他指那些在一個特定的色調值的顏色。在他著名的繪畫理論，法國畫家情此景描述如何使用 (teinte) 的顏色和色調 （噸） 以創建特定的情感效果： ' 歡樂獲得通過主導發光度的口氣;普遍溫暖的顏色。' 一詞似乎已經廣泛地使用以繪畫的上升直接從自然在十九世紀，當演出者成為了有興趣在識別和複製的色調將被發現在某一特定主 ...
color
The property characterizing visible light of varying wavelengths, the color of something being the wavelength of the light reflected by it; primary colors are red, blue and yellow/green, meaning that combinations of these are able to produce the rest of the ...
顏色
The property characterizing visible light of varying wavelengths, the color of something being the wavelength of the light reflected by it; primary colors are red, blue and yellow/green, meaning that combinations of these are able to produce the rest of the ...
medium
On of the various materials used and creative methods involved in artistic production, media being the plural form (though this latter term is often used more specifically of the various forms in which news is conveyed). In the visual arts, the artist must ...
媒材
On of the various materials used and creative methods involved in artistic production, media being the plural form (though this latter term is often used more specifically of the various forms in which news is conveyed). In the visual arts, the artist must ...
hard edge painting
Can be seen as a subdivision of Post-Painterly Abstraction, which in turn emerged from Colour Field painting. The term was coined by the Californian critic Jules Langster in 1959 to describe those abstract painters, particularly on the West Coast, who in ...
硬邊繪畫
Can be seen as a subdivision of Post-Painterly Abstraction, which in turn emerged from Colour Field painting. The term was coined by the Californian critic Jules Langster in 1959 to describe those abstract painters, particularly on the West Coast, who in ...
The Ancients
The Ancients was the name given to themselves by the group of disciples of William Blake that formed around him in London in the last years before his death in 1827. The implication of the name was that as the Industrial Revolution burgeoned they were looking ...
古人會
古人是給自己的弟子在 1827 年去世前的最後一年在倫敦成立在他身邊的威廉 · 布萊克的組的名稱。名字的含義是，隨著工業革命蓬勃發展他們看到回來到一個更好的時代。他們的領導人是薩穆埃爾 · 帕默爾和其他首席數位是愛德華卡爾弗特和喬治 · 里士滿。1826 年和 1834年之間的幾年裡他們聚集在田園肯特村的肖勒姆 · 帕默爾凡擁有一棟房子。他們的工作表達神秘的理想性質的在 · 帕默的案件深深地基督徒，在卡爾弗特的染異教的喜悅在情色中。 ...
installation art
Also described as environments, the term is used to describe mixed-media constructions or assemblages usually designed for a specific place and for a temporary period of time. Works often occupy an entire room or gallery space that the spectator invariably ...
裝置藝術
也稱為環境，一詞用來描述混合媒體構造或組合為一個特定的地方和時間的短暫時期通常設計。作品經常佔用觀眾必然已來遍歷以藝術作品的完全參與整個房間或畫廊空間。一些設施，不過，都只是為了到處走走和設想，或者是如此脆弱他們只能查看從門口或一個房間的一端。裝置藝術出現了從環境的早期形式。環境的贊助者之一是美國演出者 Allan Kaprow 在從約 1957 年起所作的工作。在 1965 年出版的未注明日期採訪 Kaprow 說他第一次環境的： ' 我只是簡單地填滿整個畫廊 — — 當你打開門你發現自己在整個環境 — — ...
symbolism
Term Symbolism coined 1886 by French critic Jean Moréas to describe poetry of Mallarmé and Verlaine. Soon applied to art where describes continuation, in face of Impressionism, Realism, Naturalism, of traditional mythological, religious and literary subject ...
象徵主義
象徵主義一詞鑄造了 1886 由法國評論家讓 · Moréas 來描述消隱和魏爾倫的詩歌。很快應用於藝術哪裡描述面對印象主義，現實主義，自然主義，延續傳統神話、 宗教、 文學的主題，但燃料由新的心理內容，特別是色情和神秘。複雜的國際現象，但尤其是法國 (莫羅，聖馬婁的 3，Gauguin）、 比利時德爾維爾 Khnopff） 和英國瓦特，比爾茲利伯恩-鐘斯羅）。 ...
