Terms and text shown below represent Siaoning’s contributions to TermWiki.com, a free terminology website and knowledge resource for the translation community.
A smooth, flat surface on which artists set out and mix their colours before painting, which is often designed to be held in the hand. The term also refers to the range of colours habitually used by and characteristic of an artist. A palette in computer ...
平滑的表面,演出者闡述和他們之前畫,往往設計來拿在手上的顏色混合。詞也指慣常使用的顏色的範圍和特性的一位演出者。在電腦圖形學的調色板是空房的顏色集,每個分配一個編號,和它是這個數位,確定該圖元的顏色。 ...
Also known as Earth art. It can be seen as part of the wider Conceptual art movement in the 1960s and 1970s. Land artists began working directly in the landscape, sculpting it into earthworks or making structures with rocks or twigs. Some of them used ...
也稱為大地藝術。它可以被視為更廣泛的概念藝術運動的一部分,在 1960 年代和 1970 年代。土地的演出者開始直接從事園林景觀,它雕刻成土方工程或使結構與岩石或樹枝。其中一些使用機械土方設備,但理查 · 朗只是向上和向下走,一直走在地球他取得了一個標記。大地藝術通常被記錄中使用庫中的照片和地圖,演出者可能陳列的藝術品。土地的演出者也作土地藝術在庫中,使材料中從風景,並使用它創建的安裝。最著名的土地藝術工作是羅伯特 · 史密森螺旋碼頭的 1970 年,在美國的大鹽湖中內置了土方工程。其他土地演出者包括沃爾特 · ...
The side of a building that is seen first, or generally a side of a building.
第一,看到一個大廈的一側或一般建築的一面。
Revolutionary alliance of European avant-garde artists, writers and poets formed at a conference in Italy in 1957 (as Internationale Situationiste or IS). It combined two existing groupings, the Lettrist International and the International Union for a ...
革命的歐洲前衛演出者、 作家和詩人組成聯盟在義大利一次會議在 1957 年 (作為國際 Situationiste 或 IS)。它結合了兩個現有的集團,在 Lettrist 國際和國際聯盟的包豪斯的畫報。主要人物是作家和導演的傢伙 Debord,該集團還突出地包括前眼鏡蛇畫家 Asger Jorn。前眼鏡蛇演出者常數也是一名成員,和英國的演出者拉爾夫 Rumney 是不結盟運動的創始人之一。是發達的資本主義基礎的馬克思主義和超現實主義,混合物批判和 Debord 認定在他有影響力 1967年的書的景觀社會消費社會。 ...
The Vorticists were a British avant-garde group formed in London in 1914 by the artist, writer and polemicist, Wyndham Lewis. Their only group exhibition was held in London the following year. Vorticism was launched with the first issue (of two) of the ...
Vorticists 是由演出者、 作家和出神入化,溫德姆 · 路易斯在 1914 年在倫敦成立英國前衛組。他們唯一組展在倫敦舉行了第二年。Vorticism 發起了第一期 (兩個) 雜誌爆炸,除其他材料兩個侵略宣言所載的由路易斯 '爆破' 他被認為是英國的藝術與文化的基於和宣佈 Vorticist 審美: ' 新渦陡降至目前的心 '我們產生一個新的生活抽象'。Vorticist 畫結合立體主義的現實的碎片與硬邊意象來自機器和城市的環境,用於創建高度有效運算式 Vorticists 意識的現代世界的活力。它實際上是 ...
Neo-Impressionism is the specific name given to the Post-Impressionist work of Seurat and Signac and their followers. Both Camille and Lucien Pissarro had a Neo-Impressionist phase and their work continued to bear strong traces of the style. Neo-Impressionism ...
Neo-Impressionism 是工作給予的後期印象派的 Seurat 和西尼亞克和他們的追隨者的具體名稱。卡米爾和呂西安 · 畢沙羅了一個新的階段和他們繼續承擔強痕跡的樣式的工作。Neo-Impressionism 由使用 Divisionist 技術的描繪 (往往普遍但不正確地稱為點彩,西尼亞克否定詞)。Divisionism 試圖通過使用不同的顏色的光混合放印象派繪畫的光與色的科學基礎上。而不是混合顏色調色板,降低了強度上, 小學顏色元件的每一種顏色被放在單獨小一點兒在畫布上所以他們會混合在觀眾的眼中。光 ...
An intaglio technique in which a metal plate is manually incised with a burin, an engraving tool like a very fine chisel with a lozenge-shaped tip. The burin makes incisions into the metal at various angles and with varying pressure which dictates the ...
在其中一塊金屬板手動切割與銅版用雕刻,雕刻工具 (如錠劑的筆尖很細鑿凹版技術。銅版用雕刻使切口成不同角度的金屬和與不同的壓力也就是要求的油墨量線可以舉行 — — 因此寬度和黑暗列印時的變化。技術的雕刻金屬日期從古典上古作為裝飾的物件的方法。然而它是不直到約 1430年在雕花的板開始用於製作版畫的德國。防是使用酸蝕刻一塊金屬板,然後可以從印刷攝影製作的映射的過程。 ...
French term describing a wide swathe of related types of abstract painting highly prevalent, even dominant, in the 1940s and 1950s, including tendencies such as Tachism, Matter Painting, and Lyrical Abstraction. Mainly refers to European art, but embraces ...
French term describing a wide swathe of related types of abstract painting highly prevalent, even dominant, in the 1940s and 1950s, including tendencies such as Tachism, Matter Painting, and Lyrical Abstraction. Mainly refers to European art, but embraces ...
Art in which the medium is the artist's own body and the artwork takes the form of actions performed by the artist. Performance art has origins in Futurism and Dada, but became a major phenomenon in the 1960s and 1970s and can be seen as a branch of ...
Art in which the medium is the artist's own body and the artwork takes the form of actions performed by the artist. Performance art has origins in Futurism and Dada, but became a major phenomenon in the 1960s and 1970s and can be seen as a branch of ...
A material depiction or mental impression of something, most often in a representational sense, though not always considered clear or distinct.
一種材料描繪或某事,最常在具象的意義上說,儘管不總是明確考慮或不同的心理印象。