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The collective name given for a number of North American landscape painters active between the 1820s and 1870s who depicted scenes of natural beauty in areas that included the Hudson River Valley and the Catskill Mountains. Prominent artists associated with ...
The collective name given for a number of North American landscape painters active between the 1820s and 1870s who depicted scenes of natural beauty in areas that included the Hudson River Valley and the Catskill Mountains. Prominent artists associated with ...
Surrealist automatist technique developed by Max Ernst in drawings made from 1925. Frottage is the French word for rubbing. Ernst was inspired by an ancient wooden floor where the grain of the planks had been accentuated by many years of scrubbing. The ...
超現實主義 automatist 技術開發的 Max Ernst 從 1925 年所作的繪圖中。摹拓品是摩擦的法語單詞。安永的靈感來自古代的木地板,木紋的木板鋪了許多年的洗滌而加劇。仿木紋的模式建議對他奇怪的圖像。他捕捉到這些由鋪設的地板上的紙張和他們然後揉軟鉛筆。結果表明上住著像鳥一樣的生物高尚的神秘森林和恩斯特刊登在 1926 年的這些圖紙集合題為所有奈楚麗 (自然歷史)。他接著,使用範圍更廣的紋理表面和快速適應技術的油畫,它調用 grattage (刮)。在 grattage 畫布準備用一層或更多的漆然後放置 ...
Worpswede is a village set in beautiful countryside in Lower Saxony, Germany, near the city of Bremen. In 1889 the painters Fritz Mackensen, Otto Modersohn and Hans am Ende moved there and founded an artists colony. Worpswede painting was initially in the ...
Worpswede 是設置在美麗的鄉村在下薩克森州,德國,不來梅市附近的一個村莊。在 1889 年的畫家弗裡茨 mackensen 喝倒、 奧多 Modersohn 和漢斯 · 恩德搬到那裡,成立一個演出者的殖民地。Worpswede 繪畫最初是在 plein 空氣傳統,但後來接受了更現代的趨勢特別是表現主義。從一開始他們與卡爾 Vinnen 密切,誰住在他在 Ostendorf,不來梅港的農場上。1892 年他們加入了由弗裡茨 Overbeck 和 1894 年由 Heinrich Vogeler。最重要的早期 ...
In art, representational, or more generally, images that seemingly depict objects (whether existing, recognizable or not); figurative language is that which uses metaphor, metonymy, synecdoche, or other non-literal forms of speech to express one thing in ...
在藝術,代表,或更一般地說,看似描繪物件 (無論是現有的可認識的或不) 的圖像 ;比喻語言是言語的其中使用隱喻、 轉喻、 提喻或其他非文本形式來表達另一種的一件事。
Discovered accidentally by Man Ray and Lee Miller, solarisation is created by briefly exposing a partially developed photograph to light, before continuing processing. Man Ray quickly adopted solarisation as a means to 'escape from banality' and often applied ...
由李 ・ 米勒和男人雷意外地發現,日曬被創建的簡要地暴露部分發達國家對光,照片在繼續處理之前。男人雷快速作為一種手段逃避 '平庸' 通過日曬和經常技術應用於使用表單和部分沖銷音調的地區周圍的光暈像輪廓強調的身體輪廓的女性裸體照片。 ...
A cordial with a very high sugar content. Its cream-like consistency gives it its prefix. It comes in the following combinations:
很高的糖分含量與親切。其奶油樣一致性給它其首碼。它有以下組合:
Any of a group of slightly over 100 substances on earth which may exist as individual atoms, and from which all materials on earth are composed. See PERIODIC TABLE OF THE ELEMENTS. In electric kilns, the heating coils.
任何一組略高於 100 物質對地球可能存在作為單個原子,和從地球上的所有材料由都組成的。請參閱元素週期表。電窯,加熱線圈。
The introduction of video in the 1960s radically altered the progress of art. The most important aspect of video was that it was cheap and easy to make, enabling artists to record and document their performances easily. This put less pressure on where their ...
在 1960 年代的視頻介紹從根本上改變了藝術的進展情況。視頻的最重要的方面是它是廉價和容易使,使演出者來記錄和記錄他們的表演很容易。這對他們的藝術所在的壓力少給他們在畫廊外的自由。早期的視頻藝術先驅之一是布魯斯瑙曼用視頻來揭示隱藏的演出者的創作流程通過拍攝自己在他的工作室。當視頻技術變得更複雜,藝術演變從即時、 粒狀、 黑色和白色的錄音對目前天強調的膚色在大型裝置上。比爾中提琴多遮罩的工程是戲劇,往往有說明 ;和吉莉安 · 服裝使用新聞紀錄片的風格,使關於社會的隱藏方面的藝術。 ...
A kiln in which the firing platform is stationary, but the body of the kiln rolls out of the way horizontally on tracks. Often equipped with two firing platforms to be fired alternately.
在其中的發射平臺是固定的但窯的身體卷走水準軌道上的窯。通常配備兩個發射平臺交替發射。
Meaning cannibalism, as an art term it is associated with the 1960s Brazilian art movement Tropicália. Artists Hélio Oiticica, Lygia Clark, Rogério Duarte and Antonio Dias used anthropophagia in the sense of a cultural and musical cannibalism of other ...
作為一種藝術期限它意思同類相食,是與 20 世紀 60 年代巴西藝術運動 Tropicália 相關聯的。演出者 Hélio 奧氣、 Lygia 克拉克、 忠於杜阿爾特 · 安東尼奧 · 迪亞斯 · 使用 anthropophagia 在其他社會的文化和音樂的同類相食的感覺。他們擁抱的奧斯瓦德安德拉德 (1890年-1954),寫宣言 Antropófago (食人族宣言) 在 1928 年,詩人著作認為巴西歷史上的 cannibalising 其他文化是其最大的力量和對歐洲的殖民文化一直主張獨立的國家的方式。詞也 ...