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A liquor made from violets.
紫羅蘭酒。
A measurement of the sugar content of grapes, must and wine, indicating the degree of the grapes' ripeness (meaning sugar level) at harvest. Most table-wine grapes are harvested at between 21 and 25 Brix. To get an alcohol conversion level, multiply the ...
測量的葡萄,糖含量必須和酒,指示採收葡萄的成熟度 (意思糖級別) 的程度。大多數表酒葡萄之間 21 和 25 糖度的收穫。若要獲取轉換中的酒精含量,請指出的糖度乘以.55。
Neo-Impressionism is the specific name given to the Post-Impressionist work of Seurat and Signac and their followers. Both Camille and Lucien Pissarro had a Neo-Impressionist phase and their work continued to bear strong traces of the style. Neo-Impressionism ...
Neo-Impressionism 是工作給予的後期印象派的 Seurat 和西尼亞克和他們的追隨者的具體名稱。卡米爾和呂西安 · 畢沙羅了一個新的階段和他們繼續承擔強痕跡的樣式的工作。Neo-Impressionism 由使用 Divisionist 技術的描繪 (往往普遍但不正確地稱為點彩,西尼亞克否定詞)。Divisionism 試圖通過使用不同的顏色的光混合放印象派繪畫的光與色的科學基礎上。而不是混合顏色調色板,降低了強度上, 小學顏色元件的每一種顏色被放在單獨小一點兒在畫布上所以他們會混合在觀眾的眼中。光 ...
A sweet, red pomegranate-flavored syrup. It is made from pomegranates or red currants.
A sweet, red pomegranate-flavored syrup. It is made from pomegranates or red currants.
In 1976, at the height of Minimal art and Conceptual art, the American painter R. B. Kitaj, then based in London, Britain, organised at the Hayward Gallery in London an exhibition titled The Human Clay. It exclusively consisted of figurative drawing and ...
1976 年,在少藝術和觀念藝術的高度美國畫家 R.B.Kitaj,然後根據在英國倫敦,在倫敦 Hayward 畫廊舉辦展覽活動標題為人類粘土。它完全包括的比喻繪圖和繪畫和證明引起極大爭議。在他目錄文本中,Kitaj 用於學校的倫敦一詞鬆散描述他彙集了的演出者。名稱已被困來指畫家在當時都頑強地追求形式的繪畫在前衛的現有形式。倫敦學校除了 Kitaj 他自己的想法與相關聯的首席演出者被邁克爾 · 安德魯斯,弗蘭克奧爾巴赫,法蘭西斯 · 培根、 盧西安 · 佛洛德,David Hockney (雖然在美國生活),霍華德 ...
Denotes a wine made from early-harvested grapes, usually lower than average in alcoholic content or sweetness.
表示一個酒是以早收成的葡萄釀製,在酒精度和甜度上通常會低於一般的酒。
The science of comfortable and effective utility, determining how well a functional object or device works with the human body.
舒適的和有效的實用程式,確定如何很好的功能物件或設備工程與人體的科學。
Interest in landscape painting and in looking at the landscape itself grew rapidly through the second half of the eighteenth century. Definitions of types of landscape or view, seen from an aesthetic or artistic point of view, followed. At one extreme was the ...
山水畫和看風景本身興趣通過十八世紀第二個一半迅速地增長。跟隨的景觀或視圖,從美學或藝術的角度來看,看到的類型的定義。一種極端是崇高 (令人敬畏的景點,如偉大的山脈) 在其他,美麗的最和平、 甚至漂亮的景點。在之間來了風景如畫,野性或不規則性的藝術,但包含元素被視為的意見。由作家威廉 · 吉爾平 (意見上河懷伊 1770年) 和尤維達爾的價格,在 1794年出版雜文在風景如畫的崇高和美麗而開發的理論的如詩如畫。 ...
A pictorial convention designed to suggest spatial depth by placing objects drawn with diminishing size along and within converging sets of straight lines, all arranged to fix the illusion of a coherently receding space. Variously complex illusions of the ...
旨在通過放置與遞減大小沿和內彙聚繪製的物件建議空間深度畫報公約 》 規定的直線,所有被安排要修復的連貫地後退的空間幻覺。不同程度地複雜幻想的檢視器的觀點可以用來構造根據往哪些線條畫的平面內"消失,"的"點"的數量從一個 (最簡單,也許最常見的情況) 達六個。線性透視是一種變體。看看空中的角度。 ...
Umbrella term to describe changes in Impressionism from about 1886, date of last Impressionist group show in Paris. Best confined to the four major figures who developed and extended Impressionism in distinctly different directions. Cézanne retained ...
總括性的術語來描述印象派從約 1886 年的變化,在巴黎的最後一個印象派組顯示的日期。最好只局限于四個主要人物,開發和延伸印象派明顯不同的方向。Cézanne 保留寫生的基本教義,但與添加嚴謹性,著名說 ' 我想要重新做普桑從自然 '。(普桑正在法國景觀的臭名遠揚地智慧財產權先驅)。Seurat 把印象派繪畫光和顏色 Divisionism Neo-Impressionism) 的科學基礎上。Gauguin 保留強光和顏色,但拒絕寫生和重新引入富有想像力的主題事項。梵古繪從性質,但開發高度個人使用的顏色和工筆直接表 ...