Siaoning
Taipei, Taiwan
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Siaoning’s Selected Translation Work
Terms and text shown below represent Siaoning’s contributions to TermWiki.com, a free terminology website and knowledge resource for the translation community.
existing
It is said of a building, an environment or a landscape that does exist, is currently present and that the architect has to deal with.
現有
據說是一幢樓的環境或不存在，一個風景目前和建築師已處理。
diptych
diptych, is painting of two panels (see Altarpiece)
雙連畫
隨處可見，是繪畫的兩個面板 （請參見組塑）
new media
A term used to describe the sophisticated technologies that have become available to artists since the late 1980s. New media defines the mass influx of media, from the CD-Rom to the mobile phone and the world wide web, that can enable the production and ...
新媒體
一個術語，用於描述自 1980 年代以來已成為向演出者提供的先進的技術。新媒體定義媒體，從手機到 CD-Rom 和萬維網，可以使生產和分配的藝術數位大規模的湧入。像 MySpace 和 YouTube 網站正在關鍵方面的新媒體，可以分發到數以百萬計的人，只需按一下一個按鈕在藝術的地方。（請參見瀏覽器藝術 ； 介質 ；淨藝術 ...
reproduction
A copy, usually not in the same medium as the original, and one not made by the original artist. Replica is typically used to mean a very exact reproduction, though through technological means primarily, rather than through self-conscious artistry.
複製
副本，通常不在作為原始和一個不由原始演出者相同的介質。複製副本通常用於意思是一個非常確切的再生產，雖然通過技術手段為主，而不是通過自覺的藝術性。
Japonisme
French term generally said to have been coined by the French critic Philippe Burty in the early 1870s. It described the craze for Japanese art and design that swept France and elsewhere after trade with Japan resumed in the 1850s, the country having been ...
日本趣味主義時代; 日本風
法國期限一般說，在早期的 19 世紀 70 年代由法國評論家菲力浦 · Burty 杜撰的。它與日本在 19 世紀 50 年代，自約 1600年有已關閉到西方國家恢復描述為日本藝術和設計，席捲法國和其他地方貿易後的時尚。日本藝術和設計的重新發現了對西方藝術幾乎無法估量的影響。從印象主義對現代繪畫的發展深刻地受到平整度、 輝煌的色彩和 stylisation，與日本木刻版畫的現實主義主題結合程度高。美學運動和新藝術風格同樣影響的設計。在英國首席演出者發射機惠斯勒，但克里斯多夫 · 梳粧檯設計師和建築師威廉 · ...
realism
Until the nineteenth century Western art was dominated by the academic theory of History painting and High art (see also Grand manner). Then, the development of Naturalism began to go hand in hand with increasing emphasis on realism of subject, meaning ...
現實主義; 寫實主義
Until the nineteenth century Western art was dominated by the academic theory of History painting and High art (see also Grand manner). Then, the development of Naturalism began to go hand in hand with increasing emphasis on realism of subject, meaning ...
chiaroscuro
Italian term used in that form in English. It translates as light-dark, and refers to the balance and pattern of light and shade in a painting or drawing. Chiaroscuro is generally only remarked upon when it is a particularly prominent feature of the work, ...
明暗法；明暗對照法
義大利一詞在英語中該表單中使用。它會將轉換為光暗，並指的平衡和光和樹蔭中繪畫或繪製的圖案。明暗對比一般只能說後當演出者使用極端的光和樹蔭對比時，通常是工作，尤為突出的特點。
decoration
Something which adds beauty, distinct from an object’s purely representational or functional qualities.
裝飾
這增加了美容，有別于物件的純粹代表或功能品質的東西。
element
Any of a group of slightly over 100 substances on earth which may exist as individual atoms, and from which all materials on earth are composed. See PERIODIC TABLE OF THE ELEMENTS. In electric kilns, the heating coils.
元素
任何一組略高於 100 物質對地球可能存在作為單個原子，和從地球上的所有材料由都組成的。請參閱元素週期表。電窯，加熱線圈。
objective abstraction
Name of a style of abstract art developed by a group of British artists in 1933. An exhibition titled Objective Abstraction was held in 1934 at the Zwemmer Gallery in London. The artists involved included Graham Bell, William Coldstream, Rodrigo Moynihan, and ...
客觀抽象派
在 1933 年開發的一群英國演出者的抽象藝術的樣式的名稱。在倫敦的 Zwemmer 畫廊展覽題為目標抽象在 1934 年舉行。演出者涉及包括 · 格雷厄姆 · 貝爾、 威廉冷流、 羅德里戈 · 莫伊尼漢和傑佛瑞 · Tibble 和該展覽會由莫伊尼漢主辦。不包括在這個節目，但重要的實踐者，是愛德格 · 休伯特。另一方面，非目標抽象演出者伊馮聖、 維克托 · 帕斯莫爾和環境科技有限公司 · 理查茲的作品被添加到顯示由畫廊的主任。客觀抽象是一種非幾何抽象藝術的繪畫演變以即興的方式從自由應用筆觸的形式。莫伊尼漢的靈感在 ...
